Sep. 26, 2008

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11:45 am

In May I had my first meeting with a major label, Universal Music Group. I went alone and prepared myself for the worst, having spent the last decade toeing the indie party line that the big labels were hopelessly obstinate luddites with no idea what was good for them. I’m here to tell you now that the labels understand their business a lot better than most people suspect, although they each have their own surprisingly distinct personality when it comes to how they approach the future.

Justin Ouellette, from a lengthy exposition on the death and rebirth of Muxtape. The RIAA is, indeed, a big stinking bully. (#)

Sep. 25, 2008

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3:22 pm

I doubt that I’ll ever make anything one-tenth as intelligent, thoughtful, and engaging as The Wire, and, in all likelihood, neither will you. But, again, that’s not the point.

The inspiration you need to take away from this is the idea that every scene matters to some arc. Even the one minute with the drunk furniture assembly. Whether your given “scene” is in a screenplay, or an Excel spreadsheet, or the Tweet that you’re about to type about your flight delay: it matters. It all matters.

Merlin Mann, calling on all of us to write into our arc. (#)

Sep. 24, 2008

Sep. 23, 2008

ExpressionEngine’s exp:weblog:month_links function is one of those basic blog tools you’d expect any leading software to include. It’s main responsibility is generating a list of links to monthly archive pages. But like a number of ExpressionEngine’s core functions, turns out it’s actually less flexible than the core system itself. If you’re creating an archive of future posts – say, for a list of upcoming events – there’s no way to pull those future dated entries. Luckily, there’s a workaround.

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Sep. 21, 2008

Sep. 20, 2008

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12:05 am

[Modern film] spoon-feeds us, which has the effect of watering down our collective cultural imagination. It is as if we are freshly hatched birds looking up with our mouths open waiting for Hollywood to feed us more regurgitated worms. The ‘Watchmen’ film sounds like more regurgitated worms. I for one am sick of worms. Can’t we get something else? Perhaps some takeout? Even Chinese worms would be a nice change.

Alan Moore, from an interview on Hollywood and its adaptation of his most celebrated work, Watchmen. (Via Jason.) (#)

Sep. 19, 2008

Sep. 17, 2008

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2:51 pm

[S]ome people actively search for routine and repetition as a means to cope with stress or anxiety – which in turn provides the stability to focus (and be creative). Why is instability and disruption so often cited as a means to creativity or innovation?

Sam Martin, from the Design Mind blog, responding to a video installation by Berlin-based artist Jan Koepper (#)

Sep. 16, 2008

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10:20 pm

Now, let us discuss the Élites. There are two kinds of folks: Élites and Regulars. Why people love Sarah Palin is, she is a Regular. That is also why they love me. She did not go to some Élite Ivy League college, which I also did not. Her and me, actually, did not go to the very same Ivy League school. Although she is younger than me, so therefore she didn’t go there slightly earlier than I didn’t go there. But, had I been younger, we possibly could have not graduated in the exact same class. That would have been fun. Sarah Palin is hot. Hot for a politician. Or someone you just see in a store. But, happily, I did not go to college at all, having not finished high school, due to I killed a man. But had I gone to college, trust me, it would not have been some Ivy League Élite-breeding factory but, rather, a community college in danger of losing its accreditation, built right on a fault zone, riddled with asbestos, and also, the crack-addicted professors are all dyslexic.

George Saunders, ripping apart that obnoxious "regular Joe" schtick Republicans seem so fond of. Sometimes I love The New Yorker. (#)

Sep. 14, 2008

Sep. 13, 2008

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12:16 am

If the work that really matters to you involves understanding a relationship between a handful of seemingly unrelated things and then figuring out the best way to portray, magnify, or resolve those relationships, then you’re already doing creative work. Any time you make a connection between two or more axes that hadn’t occurred to you 10 minutes ago, yes, you’ve done something creative.

Merlin Mann, a dude who's web famous for his writing on 43 folders but creates brilliant material all over the place, writing about his renewed focus on creativity and quality in a world full of cruft. (#)

Sep. 11, 2008

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10:37 am

Just as everyone in development is enamored with scaling, it seems that far too many designers ask the question, “how much content can we dump in here, and still have things make sense?” rather than “how can we nix this nonsense, and just say what we mean?”. In many projects, it’s taken a priori that all the content that exists going into a project must remain intact. Of course, this leads to the new site simply shuffling a rotten core, putting a new face on old problems. Really, what’s diluting the web are piles of meaningless words, not a lack of style.

Matt Brown, suggesting some ways designers could help simplify the web. (#)

Sep. 10, 2008

Man, the WordPress Codex is deep. I’ve spent more hours than I’d like to admit plumbing its depths, and I still get the sense I haven’t seen more than a tenth of what it has to offer. Here’s a function straight from the codex that’ll be a big help to theme and plugin developers: the wp_enqueue_script() function. If you find your self building WordPress themes and plugins that’re heavy on the JavaScript, this guy’s gonna be your new best friend.

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Sep. 9, 2008

Now that Agregado is launched, I’m starting to review what I learned during the build process. In short: tons. But how about an example? Let’s take a look at one of the handy SimplePie tricks I learned from working on this project.

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